Mary Cassatt paintings often documented the social interactions among well-to-do women like herself. The activities they depicted fall within the boundaries of normal routines for her sex and class. These activities include tea drinking, theatre going and children tending.
Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions, despite their conservative and tasteful surroundings. Mary denies the usual compositional primacy given to human forms. She gives inanimate objects equal priority with her figures.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
The medium for Andrew Wyeth paintings was the less forgiving watercolours instead of oils. His early wet brush works were made up of quickly executed, broad strokes, full of color. Shown to Robert Macbeth, a New York art dealer, these paintings formed the first solo exhibition of Andrew.
That Andrew always painted for himself is clearly evident in his Andrew Wyeth paintings. It was a memory of a four year old Andrew, feeling anticipation and trepidation, in the middle of a Christmas night, with a stocking on his bed, containing a skinny doll stuck on its neck, which started the impulse to produce the brilliant Garret Room, depicting a sleeping old black man named Tom Clark.
Andrew Wyeth paintings were occasional endeavors of sharing with the world, the underlying emotional and spiritual impulses felt by Andrew. They showed a romantic nature to their realism. Andrew has always considered free, dreamlike and romantic associations are vital parts of the creative process. These qualities of his work guarantees their being remembered indelibly, if not fondly.
Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions, despite their conservative and tasteful surroundings. Mary denies the usual compositional primacy given to human forms. She gives inanimate objects equal priority with her figures.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
The medium for Andrew Wyeth paintings was the less forgiving watercolours instead of oils. His early wet brush works were made up of quickly executed, broad strokes, full of color. Shown to Robert Macbeth, a New York art dealer, these paintings formed the first solo exhibition of Andrew.
That Andrew always painted for himself is clearly evident in his Andrew Wyeth paintings. It was a memory of a four year old Andrew, feeling anticipation and trepidation, in the middle of a Christmas night, with a stocking on his bed, containing a skinny doll stuck on its neck, which started the impulse to produce the brilliant Garret Room, depicting a sleeping old black man named Tom Clark.
Andrew Wyeth paintings were occasional endeavors of sharing with the world, the underlying emotional and spiritual impulses felt by Andrew. They showed a romantic nature to their realism. Andrew has always considered free, dreamlike and romantic associations are vital parts of the creative process. These qualities of his work guarantees their being remembered indelibly, if not fondly.
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