The earliest of Caravaggio paintings was the Boy Peeling a Fruit. The early Caravaggio paintings were paintings of flowers and fruits including Boy with a Basket of Fruit and Young Sick Bacchus. Physical Particularity is an aspect of Caravaggio realism for which he became famous for. This aspect was demonstrated in these paintings.
An Italian artist active in Rome, Naples, Malta and Sicily, Michelangelo Merisi o Amerighi da Caravaggio painted The Fortune Teller, the first of Caravaggio paintings with more than one figure. Its theme consisted of Mario Minniti, a 16 year old Sicilian artist, being cheated by a Gypsy girl. The theme was quite new for Rome and became immensely influential over the next century and thereafter.
More psychologically complex Caravaggio paintings include The Cardsharps, showing a boy as a falling victim to card cheats, and considered the first true Caravaggio masterpiece. The following Caravaggio paintings became the center of dispute among scholars and biographers for their homoerotic ambiance. These were The Musicians, The Lute Player, a tipsy Bacchus and Boy Bitten by a Lizard.
An emergence of remarkable spirituality was shown in the first Caravaggio paintings on religious themes. These paintings, including Penitent Magdalene, Saint Catherine, Martha and Mary Magdalene, Judith Beheading Holofernes, Sacrifice of Isaac, Saint Francis of Assisi in Ecstasy and Rest on the Flight into Egypt, featured the return of Caravaggio to realism.
A celebration of perfection and grace is what Raphael paintings is all about. They carried with them serene and harmonious qualities. An Italian High Renaissance painter and architect was how Raphael Sanzio was known. He formed the traditional trinity of great masters of the period, together with Michelangelo and Leonardo da Vinci.
The 3 phases and 3 styles to which Raphael paintings fall naturally are Raphael's early years in Umbria, a 4 year period of absorption of the artistic traditions of Florence and his last triumphant but hectic 12 years in Rome.
The technique behind the early Raphael paintings was the application of thick paint, made possible with the use of an oil varnish medium, in shadows and darker garments and the application of thin paint on flesh areas. This technique is very evident in a brilliant self-portrait drawing that showed the precocious talent of Raphael.
The Baronci altarpiece for the church of Saint Nicholas of Tolentino was the first documented work among Raphael paintings. In the following years, Raphael paintings consisted of painted works for other churches. Among these large works, some done in fresco, are the Mond Crucifixion, the Brera Wedding of the Virgin and Oddi Altarpiece.
The Three Graces and St. Michael are examples of small and exquisite cabinet Raphael paintings during the period. In the same period are Raphael paintings showcasing the beginning of his Madonna and portrait paintings.
An Italian artist active in Rome, Naples, Malta and Sicily, Michelangelo Merisi o Amerighi da Caravaggio painted The Fortune Teller, the first of Caravaggio paintings with more than one figure. Its theme consisted of Mario Minniti, a 16 year old Sicilian artist, being cheated by a Gypsy girl. The theme was quite new for Rome and became immensely influential over the next century and thereafter.
More psychologically complex Caravaggio paintings include The Cardsharps, showing a boy as a falling victim to card cheats, and considered the first true Caravaggio masterpiece. The following Caravaggio paintings became the center of dispute among scholars and biographers for their homoerotic ambiance. These were The Musicians, The Lute Player, a tipsy Bacchus and Boy Bitten by a Lizard.
An emergence of remarkable spirituality was shown in the first Caravaggio paintings on religious themes. These paintings, including Penitent Magdalene, Saint Catherine, Martha and Mary Magdalene, Judith Beheading Holofernes, Sacrifice of Isaac, Saint Francis of Assisi in Ecstasy and Rest on the Flight into Egypt, featured the return of Caravaggio to realism.
A celebration of perfection and grace is what Raphael paintings is all about. They carried with them serene and harmonious qualities. An Italian High Renaissance painter and architect was how Raphael Sanzio was known. He formed the traditional trinity of great masters of the period, together with Michelangelo and Leonardo da Vinci.
The 3 phases and 3 styles to which Raphael paintings fall naturally are Raphael's early years in Umbria, a 4 year period of absorption of the artistic traditions of Florence and his last triumphant but hectic 12 years in Rome.
The technique behind the early Raphael paintings was the application of thick paint, made possible with the use of an oil varnish medium, in shadows and darker garments and the application of thin paint on flesh areas. This technique is very evident in a brilliant self-portrait drawing that showed the precocious talent of Raphael.
The Baronci altarpiece for the church of Saint Nicholas of Tolentino was the first documented work among Raphael paintings. In the following years, Raphael paintings consisted of painted works for other churches. Among these large works, some done in fresco, are the Mond Crucifixion, the Brera Wedding of the Virgin and Oddi Altarpiece.
The Three Graces and St. Michael are examples of small and exquisite cabinet Raphael paintings during the period. In the same period are Raphael paintings showcasing the beginning of his Madonna and portrait paintings.
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Want to find out more about Famous Caravaggio Paintings, then visit Darren Hartley's site on how to choose the best Raphael Paintings for your needs.
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